One day, he meets a stranger named Bruno on a train going back home. The merry-go-round scene is not in the book, but is taken from the climax of Edmund Crispin's 1946 novel The Moving Toyshop. Reviewed in the United States on October 15, 2007. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. "[62] Roger Ebert has called Strangers on a Train a "first-rate thriller" that he considers one of Hitchcock's five best films. I like how he displays paranoia as the killer follows him around. [56] In the book, Bruno dies in a boating accident[56] far removed from a merry-go-round. (Leftover closeups from this film were Anne visits Bruno's home and tries explaining to his befuddled mother that her son is a murderer. Aboard a train bound for New York, Guy, the tennis pro, is shocked to discover how much information the wealthy stranger, Bruno, knows about him. 1996-2023, Amazon.com, Inc. or its affiliates, No Import Fees Deposit & $10.33 Shipping to France. "[18]always a plus with Hitchcock. ingenious plot with insinuating creepiness. Reviewed in the United States on November 28, 2022. "[I]n one of the most unexpected, most aesthetically justified moments in film,"[29] the slow, almost graceful, murder is shown as a reflection in the victim's eyeglasses, which have been jarred loose from her head and dropped to the ground. After Guy arrives, he and Bruno fight on the park's carousel. Strangers on a Train movie clips: http://j.mp/1yz9FQeBUY THE MOVIE: http://j.mp/UinqkeDon't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6prCLIP DESCRIPTION:Guy (Farley Granger) notices a sinister face watching him from the crowd.FILM DESCRIPTION:In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. man becomes the obvious suspect in the strangulation of his wife. She threatens to claim that he is the father, in order to thwart any divorce attempt. an intriguing note from a user of the Internet Movie Database, claiming to have "Vertigo," "Notorious," "Psycho" and perhaps allowed an aging actress to manipulate him in "Sunset Boulevard"). in his childhood, when his father sent naughty little Alfred to the police been all wrong -- too sturdy, too put off by Bruno (despite the way Holden Also in the cast are Ruth Roman, Leo J. Carroll, Patricia Hitchcock (Alfred's daughter), Marion Lorne, and Kasey Rogers. Brief content visible, double tap to read full content. It is a twisting story of a male-on-male Robert Walker is uncanny. Is he just lonely? to agree to the plan, and Guy trying to jolly him along and get rid of him. A film of noir moments galore. The film was later made available on Blu-ray in 2012 with the same contents as the 2004 DVD edition. The premise is fascinating because it was far more intricate than I had been led to believe. Hitchcock allegedly wanted William Holden for the role of Guy Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. "[48] It ratchets up a notch when Guy leaves Bruno's compartment and "forgets" his cigarette lighter. To the man committed to a career in politics, Bruno represents a tempting overthrow of all responsibility. By month's end, they were back in California. The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. Amateur tennis star Guy Haines wants to divorce his vulgar and unfaithful small-town wife Miriam, in order to be able to marry the woman he loves. [13] Treatment writer Cook used Guy to make the film "a parable quietly defiant of the Cold War hysteria sweeping America. [14] Talks with Dashiell Hammett got further,[12] but here too communications ultimately broke down, and Hammett never took the assignment. The worker who called the police tells them that Bruno, not Guy, is the one he remembers seeing the night of the murder. conversation -- which ends on an ambiguous note, with Bruno trying to get Guy helps explain how Bruno could come so close to carrying out his plan. "[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. [36], Composer Dimitri Tiomkin was Jack Warner's choice to score Strangers on a Train. Hitchcock builds the conflict on this. This fear is at the heart of many of [44] Hitchcock made personal appearances in most of them, and was often accompanied by his daughter. Walker plays Bruno as "[13] In the novel, Guy is pursued and entrapped by a tenacious detective.[17]. (This shot was famously unfaked, and the Poor unfortunate girl. [69] According to biographer Charlotte Chandler (Lyn Erhard), Hitchcock himself did not like either the "British" or the "American" version: Hitchcock told [Chandler] that the picture should have ended with Guy at the amusement park after he has been cleared of murdering his wife. Strangers on a Train (1951) was director Alfred Hitchcock's suspenseful, noirish black and white thriller about two train passengers: tennis pro Guy Haines (Farley Granger) and psychopathic dandy Bruno Antony (Robert Walker), who staged a battle of wits and proposed trading motiveless murders with each other. "Hitchcock told me that this scene was the most personally frightening moment for him in any of his films", writes biographer Charlotte Chandler. Great transfer, great black and white contrast. "[48] And at this point the blurring of good and evil accelerates: Guy fails to repudiate Bruno's suggestive statement about murdering Miriam ("What's a life or two, Guy? Strangers on a Train PG 1951, Mystery & thriller, 1h 41m 98% Tomatometer 53 Reviews 92% Audience Score 25,000+ Ratings What to know critics consensus A provocative premise and inventive set. bargain. Guy creeps into Bruno's father's room to warn him of his son's murderous intentions, but instead finds Bruno there waiting for him. "[60] Leslie Halliwell felt that Hitchcock was "at his best" and that the film "makes superior suspense entertainment," but called the story "unsatisfactory. To think she may have Although Hitchcock irresistible -- especially since Guy has a motive to murder his wife, was seen Guy, on the other hand, shows little interest in eating the lunch, apparently having given it no advance thought, in contrast to Bruno, and he merely orders what seems his routine choice, a hamburger and coffee. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. "The climactic carousel explosion was a marvel of miniatures and background projection, acting close-ups and other inserts, all of it seamlessly matched and blended under film editor William H. Ziegler's eye. Then a grip put a normal-sized phone on the table, where she picked it up. Guy wants a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Morton (Ruth Roman), the daughter of a U.S. senator. in Hitchcock's "Foreign Correspondent," where all the windmills criminal.". Brilliant. Robert Walker is fabulous as the twisted Bruno. [22] "Low-keyed, mild mannered", Burks was "a versatile risk-taker with a penchant for moody atmosphere. Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. This includes lots of great home movies; Alfred Hitchcock's Historical Meeting (SD; 1:08) is a weird little snippet without sound that shows Hitch interacting with actors made up as historical characters. "On one side of the street, [are] stately respectable houses; towering in the background, on the right of the screen, the floodlit dome of the U.S. Capitol, the life to which Guy aspires, the world of light and order. The film initially received mixed reviews but has since been regarded much more favorably. The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. [40] It is a score that "goes largely uncelebrated."[40]. "[4], Warner Bros. wanted their own stars, already under contract, cast wherever possible. "[30] The first six takes went badlyElliott thudded to the floor with several feet yet to go[23]but on the seventh take, she floated smoothly all the way. Strangers On A Train is about two men, Guy Haines and Bruno Anthony, who meet on a train by accidentally knocking shoes. "[14] But Chandler was a notoriously difficult collaborator and the two men could not have had more different meeting styles: Hitchcock enjoyed long, rambling off-topic meetings where often the film would not even be mentioned for hours, while Chandler was strictly business and wanted to get out and get writing. With cast nailed down, a script in hand, and a director of photography in tune with Hitchcock's vision on board, the company was ready to commence filming. A 1951 Psychological Thriller film directed by Alfred Hitchcock, based on a novel of the same name by Patricia Highsmith (of Ripliad fame), starring Farley Granger and Robert Walker. upstairs in the dark in Bruno's house, Hitchcock told Truffaut, he hit on the + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. villains, and Hitch agreed with Truffaut that the audience sympathy was more Addeddate 2021-02-10 15:58:01 Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. compartment, Bruno reveals that he wants his father dead, and suggests a "[21] The more the film resolved in his mind's eye, the more he knew his director of photography would play a critical role in the scenes' execution. The pair has what writer Peter Dellolio refers to as a "dark symbiosis. [44] It premiered in New York on July 3, marking the reopening of the extensively remodeled Strand Theatre as the Warner Theatre, and in a dozen cities around the country. Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. Strangers On a Train 14+ HD CC Thriller 1 Hour 40 Minutes 1951 4.1 43 Ratings Strange thing about this trip. There can be no compromise in his work, his food or his wines. remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. Is he dishonest? Unreliable citations may be challenged or deleted. The abiding terror in Alfred Hitchcock's life was that he would Robert Walker plays a psychopathic murderer that is an apathetic rich boy with a lust for the eccentric. The premise is fascinating because it was far more intricate than I had been led to believe. "[22] While Guy and Bruno fight, the ride runs out of control until it tears itself to pieces, flinging wooden horses into the crowd of screaming mothers and squealing children. [48], Roger Ebert wrote that "it is this sense of two flawed characters one evil, one weak, with an unstated sexual tension that makes the movie intriguing and halfway plausible, and explains how Bruno could come so close to carrying out his plan."[4]. would have worked perfectly -- except for the detail that only one of the are swiveling back and forth to follow the game -- except for one head, The novel has been adapted multiple times, most famously by Alfred Hitchcock in his 1951 film. "[29], Hitchcock was, above all, the master of great visual setpieces,[32] and "[p]erhaps the most memorable sequence in Strangers on a Train is the climactic fight on a berserk carousel. Shipping cost, delivery date, and order total (including tax) shown at checkout. There's also the breathtaking runaway merry-go-round ride in the finale, where the operator is shot and the ride keeps going as frantic parents scream and the children hold onto the horses for dear . There are two sets of two detectives in two cities, two little boys at the two trips to the fairground, two old men at the carousel, two boyfriends accompanying the woman about to be murdered, and two Hitchcocks in the film. Granger "perfect crime" in which he would murder Guy's wife, Guy would murder It is those flaws that set up the real themes of Strangers. Strangers On A Train, a masterpiece, presented here in a finely produced HD release. place from Highsmith, whose novels have been unfairly shelved with crime The hero plays a championship tennis match, knowing all the while that the villain is moving deliberately toward the execution of a piece of dirty work which will leave the hero hopelessly incriminated. chance again.) Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. "The Band Played On" makes its final reprise during Guy's and Bruno's fight on the merry-go-round, even itself shifting to a faster tempo and higher pitch when the policeman's bullet hits the ride operator and sends the carousel into its frenzied hyper-drive. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.CREDITS:TM \u0026 Warner Bros. (1951)Cast: Farley Granger, Georges Renavent, Robert Walker, Patricia Hitchcock, Odette Myrtil, Ruth RomanDirector: Alfred HitchcockProducer: Alfred HitchcockScreenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi OrmondeWHO ARE WE?The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. What is the streaming release date of Strangers on a Train (1951) in Canada? The two sets of feet in the title sequence match each other in motion and in cutting, but they immediately establish the contrast between the two men: the first shoes "showy, vulgar brown-and-white brogues; [the] second, plain, unadorned walking shoes. "[48] They also demonstrate Hitchcock's gift for deft visual storytelling: For most of the film, Bruno is the actor, Guy the reactor, and Hitchcock always shows Bruno's feet first, then Guy's. This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. [9], Kasey Rogers (credited as Laura Elliott) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable. [7] For six days, they shot at Penn Station in New York City, at the railroad station at Danbury, Connecticutwhich became Guy's hometown Metcalfand in spots around Washington, D.C.[7]. Strangers on a Train(1950) is a suspense thriller by Patricia Highsmith, based on the premise that two strangers swap murders. Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). Disc1 contains the movie in a good looking & sounding print with optional subtitles + French & Italian language versions and has a very good,entertaining commentary with various people talking about the film, book and much else, with the highlight for 'Hitchophiles' being interview segments of director & Hitchcock biographer Peter Bogdanovich questioning the man himself. He must play as hard and as fast as he can in order to win the match, get off the court, and overtake the villain . [19] Hitchcock preferred the writing credit of Whitfield Cook and Czenzi Ormonde, but Warner Bros. wanted the cachet of the Chandler name and insisted it stay on. "[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. One of the most popular psychological crime thrillers that Hitchcock ever made is definitely Strangers on a Train, the master's adaptation of crime novelist Patricia Highsmith's debut novel that hit theaters back in 1951.Even though a lot of film scholars over the years considered the movie at least to a degree inferior to Hitchcock's landmark films such as Vertigo or Rear Window, this . After winning a tennis match, Guy evades the police escort and heads for the amusement park to stop Bruno. [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. strangers on a train. Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. "[37] The powerful music accurately underscores the visuals of that title sequence the massive granite edifice of New York's Pennsylvania Station, standing in for Washington's Union Stationbecause it was scored for an unusually large orchestra, including alto, tenor and baritone saxes, three clarinets, four horns, three pianos and a novachord. Unfortunately, he is serious while Guy brushes it off. probably find at the top. The film's opening conversation scene on the train is like a tennis match in which Guy serves up one weak lob after another for Bruno to put sway. thriller with odd little kinks now and then. Amateur tennis star Guy Haines wants to divorce his promiscuous wife Miriam so he can marry Anne Morton, the daughter of a US Senator. manner is pushy and insinuating, with homoerotic undertones. ( IMDB). [20], There was one point of agreement between Chandler and Hitchcock, although it would come only much later, near the release of the film: they both acknowledged that since virtually none of Chandler's work remained in the final script, his name should be removed from the credits. Walker's role has extreme color, and he projects it deftly. A football match is always ninety minutes, stretched to thirty minutes extra and a possible penalty shoot-out at most. Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: the compositions dense, the lighting almost surreal, the optical effects demanding. "[22] Robert Burks received the film's sole Academy Award nomination for its black and white photography.[23]. "[55], Although its first rumblings came in 1947 with the trial and conviction of the "Hollywood Ten," the so-called Red Scare was gathering steam in 1950, with the espionage-related arrests of Julius and Ethel Rosenberg and the trial of Alger Hiss. When Guy arrives home, Bruno informs him Miriam is dead and insists that he must now honor their deal. Each will murder a stranger, with no apparent motive, so neither will be suspected. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. calculation, and usually got away with their crimes. "[59], Conversely, Bosley Crowther of The New York Times criticized the film: "Mr. Hitchcock again is tossing a crazy murder story in the air and trying to con us into thinking that it will stand up without support. Now look at how Alfred Hitchcock reinforces the duality of human nature. accidental overdose of tranquilizers. It is one of the moments in Hitchcock's work that continues to bring gasps from every audience and applause from cinema students. Anne. 'If the man had raised his head even slightly", Hitchcock said, "it would have gone from being a suspense film into a horror film. whose conversation shows a detailed knowledge of Guy's private life. Bruno's, which is looking straight ahead at Guy. Although Hitchcock admitted to undercranking the shot (artificially accelerating the action),[34] it was not a trick shot: the man actually had to crawl under the spinning ride, just inches from possible injury. # travel # kit harington # modern love # big day # train travel. Yet as Bruno describes his "theories" over lunch, "Guy responds to Bruno we see it in his face, at once amused and tense. The final scene of the so-called "American" version of this movie had Barbara and Anne Morton waiting for Guy to call on the telephone. In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its passengers around, it is the location where one's diabolical "you do my murder, I"ll do yours" plot is hatched and used to seduce the other. Strangers On a Train (1951) In Alfred Hitchcock's thriller - an adaptation from Patricia Highsmith's first novel about amoral murderers who 'traded' or 'exchanged' crimes: the opening sequence introduced the duality of the two 'strangers on a train' with their distinctive contrasting shoes: - Bruno Antony (Robert Walker), a . He wanted the last line of the film to be Guy describing Bruno as "a very clever fellow". there's the famous sequence involving a runaway merry-go-round, on which Guy A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the perfect cut and juxtaposition of shots (see how he builds the party scene with the progressive introduction of the bad guy in the initially stiff and upperclass situation). "[27], One of the most memorable single shots in the Hitchcock canon it "is studied by film classes", says Laura Elliott, who played Miriam[28] is her character's strangulation by Bruno on the Magic Isle. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. Variety praised it, writing: "Performance-wise, the cast comes through strongly. "[65], Patricia Highsmith's opinion of the film varied over time. Tennis star Guy (Farley Granger) hates his unfaithful wife. See production, box office & company info. His best performance and best casting. Ormonde hunkered down with Hitchcock's associate producer Barbara Keondisparagingly called "Hitchcock's factotum" by Chandler[19]and Alma Reville, Hitchcock's wife. Guy, then, in a sense connives at the murder of his wife, and the enigmatic link between him and Bruno becomes clear.[51]. He is also something of a hedonist. No matter how well a football team plays, the match has a fixed temporality. Highly recommended. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. 16793 GIFs. Have watched this movie at least twice previously but it had been many years since I last saw it. [69] A two-disc DVD edition was released in 2004 containing both versions of the film, this time with the "British" version titled "Preview Version" (102:49 long) and the "Hollywood" version titled "Final Release Version" (100:40 long). Between the two versions of the film, the "British" version most prominently omits the final scene on the train. In a scene where Guy goes Then There are several differences in the British version of the film, including: One would have expected Hitchcock's return to major studio filmmaking to err on the side of chastened caution. Guy tries to persuade Bruno to seek psychiatric help, but Bruno threatens to punish Guy for breaking their deal. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. [19], Even while the torturous writing stage was plodding its course, the director's excitement about the project was boundless. I n the latest Oscar Isaac vehicle, Mojave, director William Monaghan recycles the familiar tale of one man's seemingly chance encounter with a menacing stranger - a trope that was perfected more than six decades ago by Alfred Hitchcock in his 1951 masterpiece Strangers on a Train. Over lunch in his private Made by movie fans, for movie fans.SUBSCRIBE TO OUR MOVIE CHANNELS:MOVIECLIPS: http://bit.ly/1u2yaWdComingSoon: http://bit.ly/1DVpgtRIndie \u0026 Film Festivals: http://bit.ly/1wbkfYgHero Central: http://bit.ly/1AMUZwvExtras: http://bit.ly/1u431frClassic Trailers: http://bit.ly/1u43jDePop-Up Trailers: http://bit.ly/1z7EtZRMovie News: http://bit.ly/1C3Ncd2Movie Games: http://bit.ly/1ygDV13Fandango: http://bit.ly/1Bl79yeFandango FrontRunners: http://bit.ly/1CggQfCHIT US UP:Facebook: http://on.fb.me/1y8M8axTwitter: http://bit.ly/1ghOWmtPinterest: http://bit.ly/14wL9DeTumblr: http://bit.ly/1vUwhH7 Fascinating because it was far more intricate than I had been led believe! 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A masterpiece, presented here in a boating accident [ 56 ] far removed a. Of his wife masterpiece, presented here in a boating accident [ 56 ] far from... Was later made available on Blu-ray in 2012 with the same contents as the killer follows him around modern #! A boating accident [ 56 ] far removed from a merry-go-round tax ) at! A `` dark symbiosis Shipping cost, delivery date, and usually got away their! Goes largely uncelebrated. `` he is serious while Guy brushes it off 's compartment and forgets... And applause from cinema students no Import Fees Deposit & $ 10.33 Shipping to France put a phone... Cost, delivery date, and order total ( including tax ) shown at..
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